As much as I try to act like the main reason I came to London was to study at Brunel and to be a part of this masters program, there's no denying the fact that what pushed me to discovering the university in the first place was my serious need to be back in this city. I wouldn't classify myself as a shoot first, ask questions later kind of person, but when it came to my initial decision to head overseas after graduation, my gut was far more involved than my head.
Of course, the head-related things fell into place eventually. I found a program I loved at a respected university and knew that it would be the perfect fit for me. It was a program that could be done in a year, which was good on several levels -- one of them certainly being monetary and the other being that at age 22, I wasn't so keen to plan things concretely any further than that. At age almost 23, I'm still not.
Now, after five months here, the head-related items are still falling into place, like stray chips in a game of Plinko on the Price is Right. (In the Barker days, of course.) These moments have happened to me in the library (when I've realized time and again what an abundance of British literature there is about popular music, and how exciting it is to have all of it at my fingertips), in the classroom (when I've been encouraged to stretch and push the parameters of the masters program to get the best education on the topics that interest
me), and in my greater classroom, the city itself.
This week I attended the first in a series of lectures on popular music at the British Library given by Simon Frith who, though perhaps unknown to anyone outside musicology, is the author of more than half the books sitting on my kitchen table at this very moment. Unfortunately for all of us, Simon's not nearly as good a public speaker as he is a writer and music theorist, but the lecture topics are interesting enough to keep me glued. This week's was an introduction, a view to the rest of the series, which will discuss how rock changed everything in popular music, and a little of the who, why and where along the way.
As I was leaving the lecture hall on Wednesday night, another one of those head-related-things clicked into place, one of those crucial, justifying factors for the necessity of a British education: Where else in the world can I read a book about popular music history by Simon Frith, go and hear him lecture about it, and then hop on the train to Gerry Raferty's "Baker Street," past the St. John's Wood of Abbey Road Studios and the famous street crossing, toThe Clash's "Guns of Brixton"?
Nowhere.
cheers,
HRH e. cawein